Lane, Jill
Associate Professor
Email:
Areas of Research/Interest: Latin American Theater And Performance
Select Publications:Associate Professor
Ph.D., New York University, Performance Studies. May 2000.
M.A., Brown University, Theatre Arts, May 1991.
B.A., Brown University, Comparative Literature (Spanish, Italian, and English literature), Dec. 1989.
Email: jill.lane@nyu.edu
Associate Professor • Spanish + Portuguese •
New York University• http://homepages.nyu.edu/~jl24/
Editor, e-misférica • http://emisferica.org
Hemispheric Institute of
Performance + Politics • http://institutohemisferico.org
Books:
Blackface Cuba, 1840-1895. University of Pennsylvania Press, 2005.
Co-editor, The Ends of Performance, with Peggy Phelan. New York: New York University Press, 1998.
Articles/Chapters:
“After Truth,” editorial remarks, with Marcial Godoy-Anativia, e-msiférica 7.2. (December 2010) http://hemisphericinstitute.org/hemi/en/e-misferica-72/72-editorial-remarks
“Smoking Habaneras, or A Cuban Struggle with Racial Demons,” Social Text 104, 28:3 (Fall 2010) 11–37.
“Hemispheric America in Deep Time,” Theatre Research International (International Federation for Theatre Research) 35:2 (2010) 111–125.
“Spatial Truth and Reconciliation, Peru 2004” in Telling Ruins in Latin America, ed. Michael Lazarra and Victoria Unruh. New York: Palgrave McMillan, 2009.
“ImpersoNación: teatro, raza, y nación en Cuba y los Estados Unidos en el siglo XIX,” Martiatu, Inés María. Bufo y nación: interpelaciones desde el presente. La Habana, Cuba: Letras Cubanas, 2008.
“Race and its Others,” Editorial Remarks, with Marcial Godoy-Anativia, e-msiférica 5.2 (December 2008). http://hemisphericinstitute.org/hemi/en/e-misferica-52/editorialremarks
“ImpersoNation: Toward a Theory of Black-, Red-, and Yellowface in the Americas,” PMLA, Correspondents at large, 123.5 (Fall 2008).
“Antígona, and the modernity of the dead,” Modern Drama 50:4 (Spring 2008) 521–536.
“Chocolate Possession, a tale of racial translation,” invited for inclusion for a special forum on translation, Theatre Journal 59:3 (October 2007) 382–387
